Kaytlin, oil on canvas, 48” x 38”, 2014

Kaytlin, oil on canvas, 48” x 38”, 2014

Untitled (Organic/Body), charcoal and conte on paper, 24” x 36”, 2014

Untitled (Organic/Body), charcoal and conte on paper, 24” x 36”, 2014

Transfiguration, oil on canvas/wood/paper, 2014
Various surfaces have been painted to look like industrial raw materials, exploring the nature of the painted surface, the ontological and symbolic role of the painted surface and the concept of illusion. 

Transfiguration, oil on canvas/wood/paper, 2014

Various surfaces have been painted to look like industrial raw materials, exploring the nature of the painted surface, the ontological and symbolic role of the painted surface and the concept of illusion. 

Storm I & Storm II, charcoal and conte on paper,  24” x 36”, 2013-2014

Welded Steel Camera (Canon AE-1 Program scaled x3), 18” x 12” x 8”, 2014

Scientist’s still life, oil on canvas, 2014

Scientist’s still life, oil on canvas, 2014

Reign of Crows, oil on panel, 2014

Reign of Crows, oil on panel, 2014

self portrait, oil on canvas, 2014

self portrait, oil on canvas, 2014

Windows, oil on papers, 2014

Windows, oil on papers, 2014

Persistence of Palinopsic Optical Phenomena, oil on canvas, 2014
This from-life observational oil painting explores the perceptual disturbances and optical changes caused by afterimage, chromatic aberration, and palinopsia. 

Persistence of Palinopsic Optical Phenomena, oil on canvas, 2014

This from-life observational oil painting explores the perceptual disturbances and optical changes caused by afterimage, chromatic aberration, and palinopsia.